Garry Sharpe-Young - Graphic Designer, Rock Journalist - From the UK to New Zealand: A Lifelong Mission to Archive Rock and Metal

British-born writer and metal historian Garry Sharpe-Young became one of the most trusted voices documenting heavy metal’s evolution. His move to New Zealand in 2002 marked a new chapter, but his reputation was already built on sharp research, deep genre knowledge, and a passion for preserving the stories behind rare records, forgotten bands, and influential albums. Collectors value his work for its accuracy, reach, and the way it maps decades of rock and metal history with care and precision.

Garry Sharpe-Young - Biography

Garry Sharpe-Young was a British-born writer and heavy metal historian whose work became essential reading for collectors and fans alike. Though he later moved to New Zealand in 2002, his deep connection to the British rock and metal world shaped much of his perspective and research.

From his early years, he immersed himself in hard rock and heavy metal, tracing scenes, musicians, and movements with a level of detail that would later define his career. His fascination with the genre grew into a lifelong mission to document its stories before they slipped through the cracks.

Sharpe-Young wrote more than 20 books, including cornerstone titles in the “Rock Detector” and “MusicMight” series. His research was deep, precise, and often based on direct contact with musicians. For collectors, his work became one of the most reliable sources for accurate band histories and discographies.

Besides his writing, he also contributed graphic design and layout work for several 1980s metal releases. Albums by bands such as Grim Reaper, Fast Kutz, and Savage featured his visual ideas, capturing the raw energy of the era. His designs complemented the music and helped define the look of those records.

Within the metal community, Sharpe-Young earned a reputation for integrity and genuine enthusiasm. He built strong relationships with bands, labels, and journalists, and his work often helped shine a light on lesser-known acts who deserved attention.

He was also known for his generosity. Fans, young writers, and new musicians often described him as someone who took time to guide, support, and share knowledge freely. His online database “MusicMight” carried that same spirit — a massive archive created to help people explore the music he loved.

Garry Sharpe-Young passed away in 2010 in New Zealand, leaving behind a legacy that remains deeply felt. His books, research, and album artwork continue to serve as vital references, preserving decades of hard rock and heavy metal history. His influence still resonates through the records, stories, and memories he helped capture.

A Collection of Garry Sharpe-Young - Graphic Designer, Rock Journalist Related Album Covers

BLADE RUNNER - Hunted album front cover vinyl LP album https://vinyl-records.nl
BLADE RUNNER - Hunted

Ebony Records (EBON 21), 1984

"Hunted" is the debut full-length NWOBHM album by Blade Runner, released in 1984 on Ebony Records. Packed with sharp riffs, tight songwriting, and that unmistakable 80s British metal bite, it remains a cult classic for collectors — complete with detailed cover scans and full production notes.

CHATEAUX - Chained and Desperate album front cover vinyl LP album https://vinyl-records.nl
CHATEAUX - Chained and Desperate

Ebony Records (EBON 13), 1984

"Chained and Desperate" is the debut full-length album by British NWOBHM outfit Chateaux. Released in 1984 on Ebony Records and produced by label founder Darryl Johnston, it features artwork by Garry Sharpe, the illustrator behind iconic covers for Grim Reaper, Savage, and Fast Kutz.

DEMON EYES Rites Of Chaos album front cover vinyl LP album https://vinyl-records.nl
DEMON EYES - Rites Of Chaos

Ebony Records (EBON 19), 1984

"Rites Of Chaos" is the thunderous 1984 debut by France’s Demon Eyes. Formed in Sannois, the band delivered raw, high-voltage heavy metal throughout the 80s. The album page includes full cover scans, label photos, production credits, and the complete tracklist.

THE EXPLOITED - Live At The Whitehouse album front cover vinyl LP album https://vinyl-records.nl
THE EXPLOITED - Live At The Whitehouse

SUCK (SDLP2), 1985

"Live At The Whitehouse" captures The Exploited in full punk-riot mode — raw, sweaty, and ferocious. Recorded in England in 1985, it bottles Wattie Buchan’s battle-cry vocals and the band’s blitzkrieg energy into a chaotic, high-adrenaline live assault.

FAST KUTZ - Burning album front cover vinyl LP album https://vinyl-records.nl
FAST KUTZ - Burning

Ebony Records (EBON 44), 1985

"Burning" is the sole full-length release by Fast Kutz, a short-lived NWOBHM act from Cleveland, England. Issued on Ebony Records, the album blends sharp riffs, raw underground energy, and artwork by Garry Sharpe — a true mid-80s collector’s gem.

GRIM REAPER - Rock You to Hell album front cover vinyl LP album https://vinyl-records.nl
GRIM REAPER - Rock You to Hell

RCA / RCA Victor (PL86250 & 6250-1-R), 1987

"Rock You to Hell," the third and final album by Grim Reaper, landed in 1987 during NWOBHM’s global rise. Steve Grimmett’s soaring vocals and razor-edged riffs powered their most polished release, issued in Europe by RCA and in the US by RCA Victor.

GRIM REAPER - See You In Hell album front cover vinyl LP album https://vinyl-records.nl
GRIM REAPER - See You In Hell

RCA Victor (NFL1-8038), 1984

"See You In Hell" delivers Grim Reaper’s signature mix of soaring vocals and sharpened NWOBHM riffwork, produced by Max Norman—famous for shaping Ozzy Osbourne’s sound. Recorded at Rockfield Studios in Wales, the album gained a more polished edge without losing its underground bite, making it a must-have classic for true 80s metal collectors.

SAVAGE - We Got The Edge EP album front cover vinyl LP album https://vinyl-records.nl
SAVAGE - We Got The Edge / Running Scared / She Don't Need You

Zebra (—), 1984

This 1984 EP marked Savage’s first release after leaving Ebony Records and signing with Zebra. A raw and urgent NWOBHM snapshot, it bridges “Loose ’n’ Lethal” and “Hyperactive” with sharp riffs and unmistakable mid-80s metal swagger.